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While the novel is often classed as science fantasy, it also belongs to the subgenre of planetary romance, which has affinities with fantasy[16] and sword and sorcery; it is distinguished by its inclusion of scientific (or pseudo-scientific) elements.[17] Planetary romances take place primarily on the surface of an alien world, and they often include sword-fighting and swashbuckling; monsters; supernatural elements such as telepathic abilities (as opposed to magic); and cultures that echo those of Earth in pre-industrial eras, especially with dynastic or theocratic social structures. Spacecraft may appear, but are usually not central to the story; this is a key difference from space opera, in which spacecraft are usually key to the narrative. While there are earlier examples of this genre, A Princess of Mars and its sequels are the best known, and they were a dominant influence on subsequent authors. Initially published in magazines with general readership, by the 1930s the planetary romance had become very popular in the emerging science fiction pulp magazines.[16]
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