Secret Of The Ooze Soundtrack Rar ##TOP##

Waxwork Records is thrilled to announce the release of FRIDAY THE 13TH THE FINAL CHAPTER Original Motion Picture Soundtrack deluxe double LP. Composed by Harry Manfredini and sourced from the original master tapes directly from the Paramount Pictures vaults, Waxwork has created the ultimate soundtrack experience for the fourth installment of the beloved Friday the 13th film franchise.

Teenage Mutant Ninja Turtles: The Original Motion Picture Soundtrack is a soundtrack album for the 1990 Teenage Mutant Ninja Turtles film. It was released by SBK Records and Geffen Records on 16 March 1990.[1]

"Touch Me (All Night Long)" stayed at No. 2 on the Billboard Hot 100 for two weeks, and was kept out of the No. 1 spot by Hi-Five's "I Like The Way (The Kissing Game)" in the first week, and Mariah Carey's "I Don't Wanna Cry" in the second week. The song was a cover and lyrical reworking of a 1984 single by Wish featuring Fonda Rae, which had peaked at No. 70 on the US R&B chart that year. "Touch Me (All Night Long)" reached No. 1 on the US Hot Dance Club Play chart, and its follow-up, "Too Many Walls", which Dennis co-wrote with Anne Dudley of Art of Noise (who also co-wrote the ABC track "All of My Heart"), was a No. 1 Adult Contemporary hit in the United States. It was around this time Dennis agreed to join Club MTV's first tour, booked for six weeks. She dropped out on the third date, later publicly accusing one of Milli Vanilli's members (the tour's headline act) of sexual harassment. During this period, she recorded a song called "Find the Key to Your Life" with David Morales, for the soundtrack to the movie Teenage Mutant Ninja Turtles II: The Secret of the Ooze. Subsequent releases were only minor hits.

Dennis began to record a third album, Inspiration. The title track was recorded with Todd Terry, along with another song "Is There Life After You". Only one song from the recording sessions was ever released, "S.O.S.", which can be found on the Beverly Hills 90210: The College Years soundtrack. She wrote her first song for another artist by writing a song for Dannii Minogue called "Love's on Every Corner".

Joe Strummer lived just long enough to see his luster fade. You can't read a Strummer profile nowadays without a snide mention of his privileged upbringing, backhanded accusations of opportunism, or some sneaky assault on his revolutionary man-of-the-people credentials. Some have even gone so far as to suggest that Strummer was a secret admirer of Margaret Thatcher, or at least a politically ambivalent populist.

Strummer himself best sums up his appeal in an interview excerpted on The Future Is Unwritten, a soundtrack tribute to Strummer by way of his songs and the songs he liked, timed to a new Julien Temple documentary of the same name. "Joe, we're going to have your name up on screen," goes the TV producer. "Would you like anything under your name? Would you like 'Mescaleros' or 'The Clash' ...?" he asks, trailing off. "I'd like you to write 'Punk Rock Warlord,'" deadpans Strummer in response, without missing a beat. "With 'Warlord' being one word."

The tragedy of Joe Strummer, of course, is that little of his post-Clash work stood up to his previous high-water marks, and that goes for the various soundtrack, Mescaleros, and Latino Rockabilly War tracks included. For that matter, the unreleased Clash track "(In The) Pouring Rain", recorded live in 1984, isn't one of Strummer's best, either, but both it and his subsequent band work shows even average Strummer material to be of value. 2b1af7f3a8